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Figure A

Figure B

Figure C

Quilting tool information provided courtesy of guest Heidi Kaisand.

Rotary Cutters

Look for a rotary cutter with blade that automatically extends when the cutter is pushed onto fabric. This type also retracts by itself, which is a great safety feature (figure A).
Typical blade size for cutters is 20mm (figure B). For cutting smaller pieces, look for a 28mm blade. It's the perfect size for smaller jobs.
Rotary cutters are now available with pinking blades. This one by Olfa makes decorative, wavy cuts (figure C).

Figure D

Rotary Cutting Mats

Most traditional mats are lined on one side but not the other. If the lines start to get confusing, flip the mat over and cut on the unlined side.
A revolving circle mat like the Come Quilt With Me's Brooklyn Revolver seen here (figure D) is great for cutting hexagons or other specialized shapes that require the fabric to be turned.
Here's a mat for traveling quilters. It's lined for cutting on one side, and padded on the opposite side for use as a pressing surface.

Figure E

Figure F

Scissors and Snips

Spring-loaded snips like these from Fiskars make trimming quick and easy (figure E).
Designate a pair of scissors just for cutting paper. Paper-cutting dulls scissor blades, so mixing usage between paper and fabric is a definite 'don't.'
Keep a small pair of metal snips by the sewing machine for clipping threads or chain piecing.
Applique scissors like this pair by Gingher help keep the cut inside the lines (figure F).

Figure G

Acrylic Rulers

It's important to have two basic rulers when quilting—a 6" x 12" and a 6" x 24" because they both offer versatility in cutting.
There are many rulers on the market for creating all different sorts of shapes. To make triangles for dog-ear-free Flying Geese blocks try using the Easy Angle ruler (larger one) and the Companion Angle ruler (figure G).

Figure H

Thread
When selecting a thread, match the content with the fabric in your quilt. For instance, if using cotton fabric, use cotton thread. And what about thread weight? There are numerous thread weights but the most important thing to understand is the larger the number, the finer the thread; and the smaller the number, the thicker the thread. When piecing, use a 50-weight thread. Use the same weight thread on the top and in the bobbin of your machine. Here's some tips for specific types of cotton.

The applique seen here was machine-stitched to a striped pillowcase with a 60-weight applique thread, a fine-weight thread that's not highly visible (figure H). The project is from Better Homes and Gardens Quilting Ideas.

Figure I

For decorative applique that wants to be seen like the buttonhole stitch on this Posy Chain table runner (by Heather Mulder (from the March/April 2003 issue of American Patchwork & Quilting), use a heavyweight thread such as a 12-weight (figure I). Remember, use the same weight thread in the bobbin to avoid tension problems, etc.

Figure J

Decorative rayon threads were used for this satin-stitched applique called Wild Roses (figure J) (by Janet Pittman with vari-overlock stitch (from the March/April 2003 issue of American Patchwork & Quilting).

Figure K

Threads that are color-variegated offer a fun finish to quilts like this one called Child’s Quilt (figure K) (from Better Homes and Gardens Quilt-Lovers’ Favorites, Volume 3).

Figure L

Transparent thread was used to couch decorative nylon threads to the border in this piece called Anniversary Quilt by Mabeth Oxenreider (figure L) (from Better Homes and Gardens Quilt-Lovers’ Favorites, Volume 3).

Mercerized cotton has been processed to be stronger, more durable and is the most widely used piecing cotton. Glazed cotton has a slightly different sheen and a silkier feel. It's preferred for hand-quilting.

Silk thread is great for applique because it tends to be a very fine thread, so it pulls right into the fabric.

Needles
As with every tool, there are a lot of varieties available to quilters. Needles are numbered similarly to thread in that the larger the number, the smaller the needle. Size 10 is a good size for beginners but another option is to buy a pack of needles with various sizes to sample which size is best for you.

Freezer paper
Freezer paper can be very useful for transferring patterns from paper to fabric. Just trace the shape you want to applique onto freezer paper, press it the freezer paper to fabric creating a temporary bond, then cut the fabric. This method was used to create the bunny in penny rug project called "Hippity Hop" (by Jane Krause from the March/April, 2003 issue of American Patchwork & Quilting) which was seen on this episode.

Fusible web
For a more permanent bond than freezer paper, use a double-sided fusible web to transfer patterns. Iron fusible to the back of the applique fabric, then position and iron it o the foundation fabric. The fusible web is not removed.

Quilting stencils and templates
To transfer quilting template design to a quilt top, try marking tools like this red plastic Chalk Wheel from EZ Quilting by Wrights or a fabric-marking pencil.

No matter your choice for transferring stencil or template designs, test it beforehand on a sample pieces of fabric to ensure it will wash out of the quilt. Painters' tape offers a nice option for marking straight lines on quilt tops. It sticks with low-tack adhesive, so there's no residue left on the fabric, and you don't have to worry that the marking lines won't wash away (demonstrated on quilt called Rebecca’s Basket by Jo Morton from the October, 2003 issue of American Patchwork & Quilting).

Template materials
Translucent template plastic is great for cutting templates, and it can usually be found at local quilt shops with or without gridlines. Gridded template plastic is perfect when cutting templates for a pieced quilt because it helps for adding seam allowance. Something that works similarly to template plastic is a product called Static Stickers. This pink, see-through plastic clings to rulers and other surfaces. It can be found in quilt shops and from online retailers.

Pins
Quilting pins tend to be thick, which is great for some tasks and not for others. Silk straight pins are often preferred for their thin, finer quality that's great for getting through layers of fabric. Silk pins with glass heads are the best because the glass heads won't melt under the iron. Plastic head pins will melt so avoid getting those under the iron. For fine applique work, try very small applique pins.

Stabilizers
When doing machine applique, put a stabilizer underneath to avoid puckers so applique lays flat on the background fabric. Stabilizer comes in several weights (The pattern seen here called Forever Friends is from Better Homes and Gardens Quilting Ideas, Winter 2002).

Bias bars
Bias bars are flat lengths of heat-resistant plastic used to make bias strips for applique vines, stems, etc. To use them, cut a strip of fabric on the bias that's the width of the bar plus 1/2 inch. Fold the fabric (right sides out) in half around the bar then machine-stitch along the edge of the bar, closing up the fabric to create a tube. Press the fabric while still on the bar. Slip the tube off the bar and turn the seam to the back before appliqueing onto foundation fabric.

Setting triangles
Setting quilt blocks on point adds wonderful interest but sometimes gives quilters a big headache when it comes to setting the triangles on the sides of the quilt. One product that offers a solution to the mathematical nightmare is a setting triangle. The triangle seen on this episode is The Setting Triangle. (The wall hanging used to illustrate the triangle is called Rebecca’s Basket by Jo Morton from the October, 2003 issue of American Patchwork & Quilting).

Resources
Better Homes and Gardens Complete Guide to Quilting
Meredith Books, 2003
Order this title from Amazon.com.
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Simply Quilts : Episode QLT-931
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